
Here's a pickle: If you could tell someone only one thing about Christianity, what would it be? Many Christians believe God already gave us the answer in John 3:16: "For God so loved the world, that he gave his only begotten Son, that whosoever believeth in him should not perish, but have everlasting life."
This hits all the highlights: God, the divinity of Jesus, the sacrifice of the Resurrection to redeem the world, the importance of belief; the promise of eternal life. That's why you see John 3:16 on t-shirts and bumper stickers: in one sentence, it sums up the spiritual - dare I say cosmic - essence of Christianity.
We've touched on another important one, the Great Commandment, John 13:34: "A new commandment I give to you, that you love one another: just as I have loved you, you also are to love one another." This version of the Golden Rule appears in all the Gospels, so it must be pretty important.
But it appears in Leviticus 19:18 too: "You shall not take vengeance or bear a grudge against the sons of your own people, but you shall love your neighbor as yourself: I am the Lord." And this starts to get closer to one of the most important things I think Christianity teaches: the need to forgive.
Paul puts it this way in Romans 12:19: "Beloved, never avenge yourselves, but leave it<sup class="footnote" style="font-size: 0.625em; line-height: normal; position: relative; vertical-align: text-top; top: auto; display: inline;" data-fn="#fen-ESV-28249a" data-link="[a]">[a] to the wrath of God, for it is written, 'Vengeance is mine, I will repay, says the Lord.'" Well, that's cute, and I agree with it, but Paul is still talking about doing good to your enemies transactionally, to get something out of it.
We might call this "selfish altruism": doing good for our own benefit. See Romans 12:20-21: "To the contrary, 'if your enemy is hungry, feed him; if he is thirsty, give him something to drink; for by so doing you will heap burning coals on his head.' 21 Do not be overcome by evil, but overcome evil with good."
Paul's key point is overcoming evil with good. But we can do better. "Reciprocal altruism" in evolutionary biology occurs when organisms pay a penalty when interacting with another organism, which can't explained from pure selfishness, unless the organism expects its counterpart to repay the favor.
Reciprocal altruism is the next level of altruism, but it's fragile: in it, agents quit cooperating at the first betrayal. But scientists studying how societies remain stable when filled with selfish agents have found that there are even better strategies, like "tit for tat," which, despite its name, is even more cooperative.
The Prisoner's Dilemma is a microcosm of cooperation that game theorists use to study altruism. In it, two prisoners are being interrogated separately for a crime. If neither rats out the other, both get off with a misdemeanor; but if one fingers the other, the snitch gets off scott free and the rube goes to prison.
The so-called "rational" response to this doesn't work: each agent acting independently would rat out the other, and both end up in the clink. What works is "superrationality": making your choice assuming everyone's seeking the best outcome for everyone, and both prisoners walk with a slap on the wrist.
Superrationality has been compared to Kant's "categorical imperative": only act on principles that you would want to be universal laws. The challenge with this is that correct superrationality requires not only that you're perfectly rational, but also that other agents reason in precisely the same perfect way.
In real life, not all agents are superrational, and the tit-for-tat strategy suggests that you cooperate until betrayed, but then hit back only once, cooperating if your opponent returns to the fold. This enables you and your opponent to learn how cooperative each other are, and perhaps to develop cooperation.
Scientists studying models of human societies think that strategies like tit-for-tat altruism are literally mathematically necessary to keep societies stable in the presence of the occasional defector who wants to defect in the Prisoner's Dilemma. So tit-for-tat altruism is actually doing good for everyone's sake.
That's all well and good, but Jesus asks us to set an even higher standard than that. From Luke 6:27-29: "But I say to you who hear, Love your enemies, do good to those who hate you, bless those who curse you, pray for those who abuse you. To one who strikes you on the cheek, offer the other also."
In this famous passage on turning the other cheek, Jesus asks us to do several important things which climb up past the transactional all the way up to the spiritual. Yes, he says do good to those who hate you - the kind of transaction recommended by Paul and the scientists who study social cooperation.
But he goes beyond that to the emotional: love your enemies - take their goals on as your own. To the spiritual: bless those who curse you - wish them well. To the intercessional: pray for those who abuse you - ask God to help those who are hurting you.
Like both the Apostle Paul and students of the evolution of cooperation, I think this is good for us, and good for the world too, and that's why Jesus asks us to do it: Jesus wants us to look past pure transactions and to think how we can make the Kingdom of God real here on earth.
I interpret this to mean we should forgive everyone. Priests I respect - and the tradition of mighty men of valor in the Bible - suggest that there's room to respond in defense against violence when lives are at stake, but beyond that, once the shouting is over, we should forgive and move on.
I call this radical forgiveness - the principle that, unless there's an active fight happening actually right now, we should forgive the sins of others, no matter how grievous the crime, no matter how much it pains us. This isn't just good for the world, or good for us transactionally, but just ... good. Good for our souls.
I gave the philosophy of radical forgiveness to Dakota Frost, protagonist of my Skindancer urban fantasy novels. In it, Dakota is repeatedly challenged by weretigers, vampires, and fire magicians, and while she gives as good as she gets, as quick as she can, she does her best to forgive those who have hurt her.
Most of her allies in the series are people who, at one time or another, have pushed her away, screwed her over, or even assaulted her violently. Not every threat can be glossed over, of course, but in the series I try to show how the practice of radical forgiveness could realistically build a better world.
I have tried to put radical forgiveness into practice myself. I'm ... not always great at it: some people make themselves hard to forgive. But whenever I've had the opportunity to practice radical forgiveness, I've always been rewarded with less stress, stronger relationships, and a better situation in life.
Almost like the things Jesus calls good are things that He knows are good for us and the world.
-the Centaur
Pictured: Robert Axelrod, author of The Evolution of Cooperation.
Suuuper quick sketch of E. T. Jaynes with minimal roughs and one big honking Sharpie, rescued from a bad shading attempt by tracing over my own drawing, and them I'm like, hey, I can leave the tracing paper over the original attempt and that gives me my grey layer. Didn't quite get the head tilt:
Drawing every day.
-the Centaur 
Quick sketch of John Watson. Kind of reminds me of a cross between H. P. Lovecraft and Clark Kent.
Drawing every day.
-the Centaur 
It's late and I'm tired and want to get to bed early, so here's a suuuper quick sketch of Xiao from f@nu fiku hanging out at a bridge of some kind. (She's up in the cables, goofing around over a vast drop, because she is insanely acrobatic and unafraid of heights, living as she does on a lighthouse cantilevered out over a sheer cliff face).
Drawing (well, sketching) every day.
-the Centaur 
What started to a quick sketch ended up with me pulling out all the stops so I didn't have to stay up to 4:30 in the morning. Roughed with a 2B pencil on Strathmore 9x12 Toned Tan, then inked with Sakura Micron pens, with shading and white highlights with Winsor-Newton Hard, Medium and White Charcoal plus a little 2B and final outlining with a Sakura Pigma brush pen. I like doing renderings on toned paper as you can go up to white and down to dark, giving you more ways to push the drawing. The face still is too wide, and is missing something, compared to the source image (
Douglas Hofstadter in Bologna, Italy - 06 March 2002[/caption]
Drawing every day.
-the Centaur 
Charles Darwin, roughed on tracing paper, then traced over the roughs, both with a Sakura Micron 1 pen on the theory it's late and I'm tired (and I'm more comfortable sketching with ink than pencil anyway).
The rough enabled me to get the guidelines of the shape in place, letting the drawing focus on the details. Still, I'm exaggerating eyes and especially noses. Sigh. More work to do ...
... drawing every day.
-the Centaur 
King James, a quick sketch roughed out with a 2B pencil and inked straight with a Sakura Micron 1 on the theory it's late and I'm tired. Face came out a little too tall, at least based on comparison with this detail of the original painting by John de Critz:
Drawing every day.
-the Centaur
Ayn Rand, roughed and inked in my usual fashion on Strathmore 9x12, No.2 pencil, Sakura Pigma and Micron pens, Sharpies for deep blacks. I squeezed the face proportions a bit, trying to get it right, and started dropping a few of my crutches on this (the heavy outlines). Again I did the trick where I turned it upside down to get the landscape right, particularly the triangle of eyes and nose; I even got the eyeline right, but failed to extend that courtesy to the mouth, which is bent a bit to the horizontal.
Nevertheless, I think, it came out pretty well: she looks so happy.
Drawing every day.
-the Centaur 
Hannibal Lecter, sketched on Strathmore 9x12 in #2 pencil followed by inking via Sakura Micron and Pigma pens. I think this one turned out pretty well, though the eyes are a tad less symmetrical than Sir Anthony Hopkins, eyebrows too far, and a few subtle details of the collar and mask aren't quite right.
C. S. Lewis, same medium as Lecter. His face came out a bit bloated, I think - probably, I rushed it since it was late. Nevertheless, spinning the picture 180 still helped how it came out quite a bit.
Drawing every day.
-the Centaur 